Danger Pay: Memoir of a Photojournalist in the Middle East, - download pdf or read online
By Carol Spencer Mitchell
"You're going where?" Carol Spencer Mitchell's father demanded as she trigger in 1984 to hide the center East as a photojournalist for Newsweek and different courses. during this intensely considerate memoir, Spencer Mitchell probes the motivations that impelled her, a unmarried, Jewish girl, to record the turmoil roiling the Arab global within the Eighties and Nineteen Nineties, in addition to how her stories as a photojournalist "compelled [me] to put aside [my] cameras and reexamine the best way photos are created, scenes are framed, and the way 'real existence' is packaged for particular information stories." at risk Pay, Spencer Mitchell takes us on a harrowing trip to PLO army education camps for Palestinian teenagers and to refugee camps within the Gaza Strip sooner than, in the course of, and after the 1st intifada. via her eyes, we event the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet heart jap leaders, specifically Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell built shut operating relationships. And we witness Spencer Mitchell's transforming into conviction that the Western media's portrayal of conflicts within the heart East truly is helping to gasoline these conflicts--a conviction that at last, as she says, "shattered my career." even supposing the occasions that Spencer Mitchell documents happened a iteration in the past, their repercussions reverberate within the conflicts happening within the heart East this present day. Likewise, her problem approximately "the triumph of picture over fact" takes on better urgency as our wisdom of the realm turns into ever extra filtered via digital media.
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Additional resources for Danger Pay: Memoir of a Photojournalist in the Middle East, 1984-1994 (Focus on American History)
Opposite him sits the Deheisha refugee camp, a hotbed of rebellious discontent. Between them lies the main thoroughfare through Jerusalem, Bethlehem, and Hebron. Two army jeeps are parked nearby with a dozen or so soldiers in close proximity. Levinger is the spiritual leader of the Gush Emunim settler’s movement in Hebron. He says he’ll camp outside Deheisha until Palestinians quit pelting Israeli cars with stones. I watch the soldiers guarding Levinger while he stares silently at Deheisha. Some of the residents have gathered, their arms folded across their chests as they gaze back at him.
You belong to the Palestinian people,” Zaanoun shouts emotionally, and simultaneously a whirlwind of male arms plucks Arafat from the crowd, lifts him into the air, and carries him shoulder-high to the podium. He stands before his brethren, barely five feet tall, clutching his resignation in his hand. “You are the ones who can decide. ” At times, he seems to be an actor who carts his theater with him, constantly recreating his role as the embodiment of Palestinian tragedy. And in fact, Arafat’s histrionics, broadcast live to the region for the first time, prove so popular that nearly 2 million Palestinians living in refugee camps in Jordan, Syria, Lebanon, the West Bank, and the Gaza Strip position themselves in front of their television sets throughout the three-day conference—which is exactly what the chairman wants as he stages his stirring reelection.
This is the news. I have no understanding of this place, nothing to fit it into. I am confused and disoriented, trying to feel my way. Nothing here is easy. It is a place where you wake up and never know what will happen. indd 13 [ 13 ] 9/26/08 2:45:43 PM emotions, of spirit, of passion, of madness, and an awesome beauty, engulfed by a past too old to recognize, yet too familiar to lay quiet within me. Why does this land make me quiver? Beneath all the smells, the images, and the noise, there is a silence, the type of silence that brings everything to a standstill.
Danger Pay: Memoir of a Photojournalist in the Middle East, 1984-1994 (Focus on American History) by Carol Spencer Mitchell