New PDF release: Cultural Theory and Popular Culture: A Reader: An

By John Storey

ISBN-10: 1138811017

ISBN-13: 9781138811010

ISBN-10: 1138811033

ISBN-13: 9781138811034

ISBN-10: 1315744147

ISBN-13: 9781315744148

ISBN-10: 1317591240

ISBN-13: 9781317591245

In this seventh variation of his award-winning Cultural conception and pop culture: An Introduction, John Storey has widely revised the textual content all through. As prior to, the e-book provides a transparent and demanding survey of competing theories of and numerous techniques to pop culture. Its breadth and theoretical cohesion, exemplified via pop culture, signifies that it may be flexibly and relevantly utilized throughout a few disciplines. additionally conserving the obtainable technique of earlier versions, and utilizing applicable examples from the texts and practices of pop culture, this re-creation is still a key creation to the area.

New to this edition:

• largely revised, rewritten and up to date

• enhanced and extended content material throughout

• a brand new part on ‘The Contextuality of which means’ that explores how context affects which means

• a new bankruptcy on ‘The Materiality of pop culture’ that examines pop culture as fabric culture

• wide updates to the spouse web site at www.routledge.com/cw/storey, together with perform questions, extension actions and interactive quizzes, hyperlinks to suitable web content and additional studying, and a thesaurus of key phrases.

The re-creation continues to be crucial examining for undergraduate and postgraduate scholars of cultural stories, media stories, communique reviews, the sociology of tradition, pop culture and different comparable subjects.

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Additional info for Cultural Theory and Popular Culture: A Reader: An Introduction

Example text

He maintains that critics romanticize the past in order to castigate the present. ), and yet forget the sadistic and brutal reality of animal baiting that was the everyday culture in which Shakespeare’s plays first appeared. His point is that every period in history has produced ‘men who preyed upon the ignorance and insecurities of the largest part of the populace . . ). The second part of his defence consists of cataloguing the extent to which high culture flourishes in America: for example, Shakespeare on TV, record figures for book borrowing from libraries, a successful tour by the Sadler’s Wells Ballet, the fact that more people attend classical music events than attend baseball games, the increasing number of symphony orchestras.

R. Leavis himself ). The questions they pose are very revealing of Leavisism’s general attitude. Here is a typical example, an advert for ‘Two Quakers’ tobacco: THE TOBACCO OF TYPICAL TWIST ‘ Yes, it’s the best I’ve ever smoked. ’ ‘What’s the tuppence extra? And anyway, you get it back an’ more. Burns clean and slow that’s the typical twist, gives it the odd look. Cute scientific dodge. You see, they experimented. . ’ ‘Oh! cut the cackle, and give us another fill. ’ Thereafter peace and a pipe of Two Quakers.

The re-establishment of literature’s authority would not of course herald the return of the organic community, but it would keep under control the expansion of the influence of mass culture and thus preserve and maintain the continuity of England’s cultural tradition. In short, it would help maintain and produce an ‘educated public’, who would continue the Arnoldian project of keeping in circulation ‘the best that has been thought and said’ (now more or less reduced to the reading of works of great literature).

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Cultural Theory and Popular Culture: A Reader: An Introduction by John Storey


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