Read e-book online Crafting Tradition: The Making and Marketing of Oaxacan Wood PDF

By Michael Chibnik

ISBN-10: 0292712472

ISBN-13: 9780292712478

ISBN-10: 0292712480

ISBN-13: 9780292712485

ISBN-10: 0292797753

ISBN-13: 9780292797758

''It is tough for me to compliment this publication sufficiently. . . . it's a significant contribution to the sphere of Oaxacan/Mexican reports, in addition to monetary anthropology and the research of tourism and crafts.'' --Arthur Murphy, Georgia kingdom college, coauthor of Social Inequality in Oaxaca: A historical past of Resistance and alter because the mid-1980s, whimsical, brightly coloured wooden carvings from the Mexican country of Oaxaca have chanced on their means into reward outlets and personal houses around the usa and Europe, as Western shoppers search to hook up with the authenticity and culture represented by means of indigenous people arts. mockingly, although, the Oaxacan wooden carvings aren't a conventional folks paintings. Invented within the mid-twentieth century by means of non-Indian Mexican artisans for the vacationer marketplace, their attraction flows as a lot from intercultural miscommunication as from their intrinsic inventive advantage. during this superbly illustrated ebook, Michael Chibnik bargains the 1st in-depth examine the overseas alternate in Oaxacan wooden carvings, together with their heritage, construction, advertising, and cultural representations. Drawing on interviews he carried out within the carving groups and between wholesalers, shops, and shoppers, he follows the full creation and intake cycle, from the harvesting of copal wooden to the ultimate buy of the completed piece. alongside the way in which, he describes how and why this ''invented tradition'' has been promoted as a ''Zapotec Indian'' craft and explores its similarities with different neighborhood crafts with longer histories. He additionally absolutely discusses the results on neighborhood groups of partaking within the international marketplace, concluding that the alternate in Oaxacan wooden carvings is a nearly paradigmatic case research of globalization.

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Additional info for Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings Joe R. and Teresa Lozano

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The obvious starting point is Manuel Jiménez, the colorful founder of the craft. 18 crafting tradition C H A P T E R T WO H I S TO RY O F O A X ACA N W O O D C A RV I N G (1940–1985) Mine is a sacred history . . I am not just anybody. I am a real tiger. I was born intelligent. Everyone here is living off my initiative. If I hadn’t started carving, no one would be doing anything. I invented the whole tradition. They should make a statue for me in the plaza, with an arrow pointing to the house, and rename this street Jiménez Street.

Some young men migrated temporarily to Mexico City in search of work. More crossed the border (usually without papers) to California and other parts of the United States, where they worked in construction, restaurants, and agriculture. Some of these migrants stayed in the United States; others returned to San Martín. Almost all of the migrants to the United States sent money to their families in San Martín. Around 1983 the market for wood carvings from San Martín began to history of oaxacan wood carving (1940–1985) 33 improve.

People in San Martín, moreover, knew how to market crafts. Women from San Martín sold embroidered blouses and wedding dresses to Oaxaca-based merchants; men sold carvings to Isidoro and worked at fonart. The only experiences most people in Arrazola had in selling crafts, in contrast, were furtive attempts to peddle replicas to tourists at Monte Albán. The experiences of Miguel Santiago illustrate the stubborn, and often naive, early efforts of Manuel’s neighbors to earn money from artisanry. Miguel, who is now a prosperous and well-known carver, was born in 1966 in Arrazola.

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Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings Joe R. and Teresa Lozano by Michael Chibnik


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