Download PDF by Steve Westbrook: Composition & Copyright: Perspectives on Teaching,
By Steve Westbrook
Drawing on connections among felony advancements, new media applied sciences, and academic perform, Composition and Copyright examines how copyright legislation is presently influencing methods of educating and writing in the collage, fairly within the dynamic contexts of accelerating electronic literacy, new media, and web writing. members discover the law's theoretical premises, functions to writing study rooms, and the bigger results of copyright legislation on tradition and literacy.
Central to the amount is the query of what could represent "infringement" or "fair use," and the way the very definitions of those phrases might let or limit particular text-making actions. The essays hide quite a number matters, from students' appropriations of web photos to utilizing blogs within the school room to the efforts through universities to say criminal possession of professors' educating and examine fabrics. As new applied sciences and laws are overturning conventional notions of highbrow estate, this quantity deals how you can navigate the problems when it comes to pedagogy, study, and growing new media texts in the present felony framework.
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Additional resources for Composition & Copyright: Perspectives on Teaching, Text-Making, and Fair Use
Consequently, he was forced to withdraw his presentation. The Felten case suggests how freedom of expression, particularly academic discussion, can be impaired by the mere threat of a lawsuit or DMCA violation. This is because, as Felten himself notes, “litigation is costly, time-consuming, and uncertain, regardless of the merits of the other side’s case” (Brown). ” He added, “If it happened to [computer scientists], it could happen to other disciplines as well” (quoted in Bowman). Currently, Professor Felten is challenging the DMCA in federal court on the grounds of free speech.
2005: A01. Lessig, Lawrence. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. New York: Penguin, 2004. ” Introduction to a lecture with Jeff Tweedy. New York University Library. 7 Apr. 2005. videobomb. com/posts/show/2121>. Locke, John. Second Treatise of Government. 1690. 10 Apr. constitution. htm>. Logie, John. “A Copyright Cold War? ” First Monday. 7: 2003. 9 Apr. org/ issues/issue8_7/logie/>. MGM Studios, Inc. v. S. Ct. , concurring). Millar v.
Grokster promotes stealing, and it ought to be held responsible for its actions ”(Press Release). Invoking another contemporary court ruling involving display of the Ten Commandments, Mitch Bainwol, head of the Recording Industry Association of America, said the court afﬁ rmed the notion that “thou shalt not steal” (Krim). And in the ofﬁcial “RIAA Statement on MGM v. S. economy and moved to protect the livelihoods of the more than 11 million Americans employed by the copyright industries. The Supreme Court has helped to power the digital future for legitimate online businesses—including legal ﬁ le sharing networks—by holding accountable those who promote and proﬁt from theft.
Composition & Copyright: Perspectives on Teaching, Text-Making, and Fair Use by Steve Westbrook