Cinema Beyond Film: Media Epistemology in the Modern Era by PDF

ISBN-10: 9089640835

ISBN-13: 9789089640833

Cinema past movie elaborates at the theoretical makes use of of 2 key terms—dispositif and episteme—in order to envision their dating in addition to their higher connections to movie, expertise, and modernity. even supposing either phrases originate within the paintings of Foucault, dispositif (“device”) intrinsically hyperlinks itself to the mechanics of circulate and pace at the back of cinematics, whereas extra usually relating the mechanisms and buildings that carry energy in position. Episteme(“to know”), nevertheless, refers back to the stipulations and probabilities of wisdom and reception, greater than to technological innovation. each one time period is explored right here when it comes to the opposite, permitting this edited assortment to evaluate the wide selection of power materialities that come up from the mechanics in the back of cinema and the altering face of its know-how.

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Some of the publications that present these ideas can be found in the bibliography. The French etymology of 'montage' comes from the clock whose weights must be wound up (monter), is said to be wound up (tnontee), and metaphorically speaking . Cinema Beyond Film : Media Epistemology in the Modern Era. : Amsterdam University Press, . ppg=42 Copyright © Amsterdam University Press. All rights reserved. S. or applicable copyright law. 42 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. François Albera and Maria Tortajada in French one uses the verb remonter when one speaks of winding (up) the clock's successor - the watch.

34 François Albera and Maria Tortajada paper articles. The im aginary variations on the cinematographic dispositive come face to face w ith other view in g dispositives, such as photography, as is the case in some of the texts in la Chandelle verte. But there are also other scien­ tific fields - in le Surmâle (The Supermale), Jarry stages a combat between two giants, one em bodying kinematics via the cinematograph, the other electricity via the dynam o. Between the lines, one can spot the traces of the conceptual battle being fought out between the two key dom ains of physics —mechanics and electromagnetism - which went through a serious crisis at the end of the 19th century, that w ould ultimately be resolved by Einstein's discoveries of re­ stricted relativity.

But there are also other scien­ tific fields - in le Surmâle (The Supermale), Jarry stages a combat between two giants, one em bodying kinematics via the cinematograph, the other electricity via the dynam o. Between the lines, one can spot the traces of the conceptual battle being fought out between the two key dom ains of physics —mechanics and electromagnetism - which went through a serious crisis at the end of the 19th century, that w ould ultimately be resolved by Einstein's discoveries of re­ stricted relativity.

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Cinema Beyond Film: Media Epistemology in the Modern Era


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