Download e-book for iPad: British Popular Films, 1929-1939: The Cinema of Reassurance by Stephen C. Shafer
By Stephen C. Shafer
Shafer's examine demanding situations the traditional historic assumption that British characteristic movies in the course of the Thirties have been usually orientated to the middle-class. in its place, he makes the severe contrast among motion pictures meant for West finish and overseas movement and people meant essentially for family, working-class audiences. faraway from being alientated through a 'middle-class institution', operating women and men flocked to work out photos that includes such music-hall luminaries as Gracie Fields and George Formby.
Read Online or Download British Popular Films, 1929-1939: The Cinema of Reassurance (Studies in Film, Television and the Media) PDF
Best media studies books
Well known song is with us regularly. it's a part of our daily enviroment and in worldwide phrases it really is now maybe the main common technique of conversation. the worldwide Jukebox is the 1st entire learn of the overseas track at a time of significant swap, because the leisure recognizes its ever transforming into worldwide viewers.
Now in paperback, Matthew C. Ehrlich's "Journalism within the video clips" is the tale of Hollywood's depiction of yankee journalism from the beginning of the sound period to the current. Ehrlich argues that motion pictures have relentlessly performed off just like the journalist as an individual who sees via lies and hypocrisy, sticks up for the little man, and serves democracy.
This guidebook, geared toward these attracted to learning media industries, offers path in methods most suitable to collaborative discussion among media students and media execs. whereas the research of media industries is a focus at many universities all over the world – promising, because it may perhaps, wealthy dialogues among academia and – understandings of the particular methodologies for gaining knowledge of the media industries stay obscure.
- Introduction to Cable Technology
- TARDISbound: Navigating the Universes of Doctor Who
- Virgin or Vamp: How the Press Covers Sex Crimes
- Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave (Harvard Film Studies)
Extra info for British Popular Films, 1929-1939: The Cinema of Reassurance (Studies in Film, Television and the Media)
All this gives us no excuse to forget that our “poor working girl” actually earns a colossal salary and has a private bathing-pool and a…mansion. ”18 Even the leading British film expert on the portrayal of the Cockney, Gordon Harker, at least once was subject to a filmgoer’s wrath; one angry London movie fan wrote from Bermondsey: Who is this bloke Gordon Harker? We read of his fine Cockney characterizations. I think they are very poor. Why people in London visit kinemas and roar with laughter at Harker rendering a burlesque of a Cockney, I cannot understand.
6 The overall validity of Roberts’ indictment is difficult to assess, but the evidence for this view was limited at best, and the evidence against it was, in some ways, more persuasive. The question of what is a genuine portrayal and what is artificial is highly debatable and is largely a matter of perception. However, some of the qualities in features to which Roberts objected can be surveyed. 5 include features considered to be comedies with working-class characters providing at least some of the humor, movies categorized as dramas or other non-comedies in which working-class characters provide comic relief for the plot, and productions in which the working-class figures are seen as essentially incompetent or bumbling.
The evidence is similar for those films in which working-class characters were actually the protagonists or central figures in the plot. 2, the percentages, which could hardly be described as negligible, in most years, hover rather consistently between 35 and 45 percent. In addition and far more frequently, a recognizable working-class character could be found in the cast at least in a minor or supporting role. 0 somehow involved in more than half of the films produced by British studios, and in all but one of the remaining years, at least nine of every twenty features had working-class characters in at least some minor part.
British Popular Films, 1929-1939: The Cinema of Reassurance (Studies in Film, Television and the Media) by Stephen C. Shafer