Get Behind a Velvet Light Trap: From Cinesound to Cannes - A PDF
By Anthony Buckley
Tony Buckley is easily positioned to take us backstage to monitor via his eyes the interesting development of Australian film-making. masking an enormous interval of our sleek heritage, he introduces us to the characters he has met: actors, stars, manufacturers, technicians - sharing his interesting tales and insights.
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Additional info for Behind a Velvet Light Trap: From Cinesound to Cannes - A Filmmaker's Journey
Dad and Mum would borrow five books a week from the library, whilst I used to drool over the Dinky Toys in the shop window. Each Christmas, Mum would order from the Kentwells The Picture Show Annual from the UK, year in and year out, which I would quietly devour over the Christmas/New Year holidays. I always looked forward to Tuesdays too, for the local newsagent would have waiting for me The Picture Show Weekly, Picturegoer Magazine, Film Fun and the Mickey Mouse Weekly. Gordon Kentwell suggested the only thing for me was to work in the ‘fillum’ business, seeing my career in film had already started!
The change, the variety, the freshness that would be got in an Australian picture would ensure its being welcomed by picture lovers all over the earth. ’ Spencer had teamed up with actor-director Alfred Rolfe to make a series of dramatic films and newsreels. Rolfe’s first film for Spencer was Captain Midnight in which, coincidentally, Raymond Longford made his screen debut. But this was not Longford’s first involvement with filmmaking. In 1908 he had worked on Cozen Spencer’s feature-length documentary, The Burns Johnson Fight at the old Rushcutters Bay Stadium.
Such is indeed the case. ’ Raymond Longford The spirit of Longford’s faithful adaptation of Steele Rudd’s novel is typified by his intertitles which were designed and hand-lettered by William A. Cathcart. Lunch break, On Our Selection : Millbank Station, Leeton, NSW. Those named on the back of the photograph are: Arthur Greenaway, Tal Ordell, Arthur Cross, Miss Johnson (Mrs Bob Sheppard) [sic], Olga Nilland, Lottie Beaumont, Beatrice Esmond, Percy Walsh, Jim Coleman and Raymond Longford, left rear.
Behind a Velvet Light Trap: From Cinesound to Cannes - A Filmmaker's Journey by Anthony Buckley