Jill Devon, Liz Thornton, Gillian Lamb, Gavin Mist's Beadworkers Guild Introduction to Beadwork Bracelets, The PDF

By Jill Devon, Liz Thornton, Gillian Lamb, Gavin Mist

ISBN-10: 0953941809

ISBN-13: 9780953941803

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27, 28; Pls. 4, 5). Unlike glass tesserae, which could be cleaned with brushes and an ammonia-soaked cloth, the marble cubes absorbed the ammonia solution, leading the grey-brown film of dirt to penetrate the tesserae. 39 Mosaic Techniques During their work at Hagia Sophia, the Byzantine Institute conservators investigated the techniques used in creating the mosaics. The first published observations on these methods were made by them in Whittemore’s reports. 40 As stated previously, three layers of original plaster 38 W.

45 Specimen of a cramp used by Byzantine Institute conservators to consolidate the mosaics (photo: P. Iskender, Byzantine Institute, ca. 1933) 46 Apse, consolidating the Virgin enthroned with Christ child After metal cramps were inserted, a temporary wooden strut was fixed to press the plaster against the wall. (photo: Byzantine Institute) 47 Uncovering the apse mosaic Whittemore (fourth from the left) and a group of conservators at work atop the scaffolding (photo: P. Iskender, Byzantine Institute, ca.

President Kemal Atatürk was assured of the sound future of the project,17 and with his permis16 P. Lemerle, “Hommage à Thomas Whittemore,” Byzantion 21 (1951), 281-83; W. L. MacDonald, “Whittemore, Thomas,” Dictionary of American Biography, suppl. IV, 1974, 890-91, with bibliography; G. Constable, “Dumbarton Oaks and Byzantine Field Work,” Dumbarton Oaks Papers 37 (1983), 171-76. 17 Whittemore also received assistance from Robert Blake, a 31 30 Letterhead of the Byzantine Institute sion Hagia Sophia was closed for conservation work in 1931; it reopened later that year as a museum, while work continued on the mosaics.

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Beadworkers Guild Introduction to Beadwork Bracelets, The by Jill Devon, Liz Thornton, Gillian Lamb, Gavin Mist


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