Download PDF by Annmarie Chandler, Norie Neumark: At a distance : precursors to art and activism on the
By Annmarie Chandler, Norie Neumark
Networked collaborations of artists didn't start on the web. In this multidisciplinary examine the perform of paintings that happens throughout a distance -- geographical, temporal, or emotional -- theorists and practitioners study the ways in which artwork, activism, and media essentially reconfigured one another in experimental networked tasks of the Seventies and Nineteen Eighties. through supplying a context for this paintings -- displaying that it was once formed through various mixes of social family, cultural thoughts, and political and aesthetic issues -- At a Distance successfully refutes the generally accredited concept that networked artwork is technologically decided. Doing so, it presents the ancient grounding wanted for a extra entire knowing of modern practices of net paintings and activism and indicates the chances inherent in networked practice.At a Distance strains the heritage and thought of such experimental paintings tasks as Mail artwork, sound and radio paintings, telematic artwork, assemblings, and Fluxus. even if the initiatives differed, a conceptual wondering of the "art object," mixed with a political undermining of dominant paintings institutional practices, lively so much distance artwork. After a bit that units this paintings in old and significant standpoint, the e-book provides artists and others eager about this paintings "re-viewing" their paintings -- together with experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive booklet development. eventually, the e-book recasts the heritage of networks from the views of politics, aesthetics, economics, and cross-cultural analysis.
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Additional info for At a distance : precursors to art and activism on the Internet
Following Derrida, who d(e)rives the Artaudian jet from “the drive itself . . the force of the drive . . the compulsion and the expulsion . . ”38 The effect of the re-jection of objects was an assertion of art’s historicity and indeterminacy. The authors in this volume collectively suggest just such an undecidability that mitigates against a need to re/categorize objects and media or to resolve the tensions among communication, activism, and art. And signiﬁcantly, collectively is the way many of the distance art projects themselves spoke.
Described in this way, electronic and information art ﬁnds support for many of its conspicuous features within a host of practices, rather than being seen as anomalous or marginal. Information art is still not, however, the central or most potent aesthetic force of the period. All the other movements touched on earlier in the chapter—pop, minimalism, Happenings, conceptualism, Fluxus, performance art, and so on—have well-deﬁned outlines in the critical landscape of the 1960s. Information art does not overwhelm or supersede them, nor do its concerns subsume these other activities under a broader category.
13. Derrida, Post Card, 65–66. 14. Avital Ronell, The Telephone Book: Technology, Schizophrenia, Electric Speech (Lincoln: University of Nebraska Press, 1989). Ronell’s telephone book (a seminal text) answers the noisy calls of telephony very fully, so I will not rehearse her arguments here. (For a further discussion of Ronell, see my “E/motional Machines: Esprit de corps,” in Conference Proceedings for Affective Encounters: Rethinking Embodiment in Feminist Media Studies, ed. Anu Koivunen and Susanna Paasonen, University of Turku, School of Art, Literature and Music Series A, No.
At a distance : precursors to art and activism on the Internet by Annmarie Chandler, Norie Neumark