Art Nouveau: An Art of Transition-From Individualism to Mass - download pdf or read online
By Gabriele Fahr-Becker
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Like the others, he chose flowers, primarily withered ones, as decorative elements. Finally, Lalique also frequently used mythical figures such as mermaids, seahorses, and young maidens rising from the calyxes of flowers. Flowing hair, which was regarded as a fascinating medium for expressing movement in a manner that was at once provocative and full of symbolic charm, orchids, water is delicately stylized in Lalique's works. Lilies, lilies, and butterflies are captured and preserved in transparent objects of extraordinary sumptuousness.
Indeed, this goal lay at the core of On the other hand, Morris had suggested which these artists also felt bound. Can we see rather schizophrenic dichotomy a reason why the movement their creative activity. realistic solutions to in this was so short-lived? This dichotomy was a genuine tragedy for the it. If artists who lived through they wanted to realize their ideas, they had to devote themselves to enterprises that really contradicted their ideals. ) The predominant activity in which creative ideas could be expressed was the building of villas for rich businessmen with artistic sympathies.
He promoted painters like Edvard Munch and introduced the works of Louis Comfort Tiffany to the — — European continent. In 1891, the Parisian periodical Revue Blanche was founded, work of the most important artists with that of the most advanced writers. This publication became the mouthpiece of the so-called nabis. Pierre Bonnard, Edouard Vuillard, Felix Vallotton, and Toulouse-Lautrec designed the title pages, advertiseuniting the ments, and graphics that were included in the periodical. In the met and exchanged ideas with van de Velde and Munch.
Art Nouveau: An Art of Transition-From Individualism to Mass Society by Gabriele Fahr-Becker