Download e-book for kindle: Architecture as a Performing Art by Marcia Feuerstein, Gray Read
By Marcia Feuerstein, Gray Read
How do structures act with humans and between humans within the performances of lifestyles? This number of essays finds a deep alliance among structure and the appearing arts, uncovering its roots in historical tales, and tracing a continual culture of inspiration that emerges in modern perform. With clean perception, the authors ask how constructions practice with humans as companions, instead of how they appear as formal compositions. They concentrate on activities: the door that gives the potential for creating a dramatic front, the window that frames a scene, and the town highway that's remodeled in carnival. The essays additionally contemplate the layout approach as a functionality improvised between many avid gamers and provide examples of contemporary perform that integrates theater and dance. This assortment advances architectural conception, heritage, and feedback via featuring the lens of functionality with a view to have interaction the a number of roles that structures can play, with no decreasing them to practical different types. by way of casting structure as spatial motion instead of as static shape, those essays open a promising road for destiny investigation.For architects, the essays suggest integrating functionality into layout via playful explorations that may demonstrate excessive relationships among humans and position, and between humans in position. Such practices increase an architectural mind's eye that intuitively asks, "How may humans play out their tales during this place?" and "How may this position spark new stories?" Questions akin to those dwell within the middle of all the essays awarded the following. jointly, they open a place within the intersection among daily life and staged functionality to reconsider the function of architectural layout.
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Additional info for Architecture as a Performing Art
Critical Theory and Performance (Ann Arbor, MI, 2001), p. 273. 21 Utopia literally means no place. Architecture and urban design have long been studied for the ideal plans they embody and for how the physical situations they create correspond with those ideas. Latour considers both ideas and physical things as independent actors that can affect other ideas and things. See Harman, Prince of Networks, p. 16. 22 Sebastian Serlio, The Five Books of Architecture (1611). His plates of the three stage settings are widely reprinted.
7 The call “to architect” appears in works such as Cyclops by Euripides and Peace by Aristophanes, plays that reveal the cultural roots, connotations, and expectations associated with the person of the architect and his actions, a term that would eventually (a few centuries later) give its name to the Latin discipline of Architectura. This understanding adds a new dimension to the more conventional understanding of the architect as “master craftsman,” which has been taken for granted in most histories of architecture.
10 Brook, The Open Door, p. 98. 11 Bruce Wilshire clarifies this point. When a character is murdered in a play, the actor is not harmed, so the action within a story is not the same as an action in fact. Yet drama is meaningless if it does not impact attitudes, feelings, and actions outside the playhouse. The boundary between performance and ethical, existential actions is always negotiated. See Bruce Wilshire, “The Concept of the Paratheatrical,” The Drama Review, 34/4 (1990): 169. ), Art and Social Change (London, 2007), pp.
Architecture as a Performing Art by Marcia Feuerstein, Gray Read