New PDF release: A Primer of Happenings & Time Space Art
By Al Hansen
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This article examines the contexts within which classical statuary was once made and displayed, and restores its former cultural importance. It explains the options of the manufacture of Greek sculpture, and strains its creation from the eighth century BC to the Hellenistic interval. the writer explores the consequences the tradition of heroes had on sculpture and the religion in deities in human shape.
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Extra resources for A Primer of Happenings & Time Space Art
And for drastic interventions in society it is essential to have a seeker’s mentality in order to keep design dynamic. We do not aim at participative projects as such, but projects in which maintenance of society is combined with a change in mentality in all participants: bureaucrats, entrepreneurs, professionals, scientists and citizens. In that way positive change occurs ‘from inside’ and ‘from outside’, without global scaling up leading to mental scaling down. Volume 16 EST for experience and commitment, both inside and outside institutions.
By working outside a rigid formal development process, the amateur is free to create paradigm shifts and new ways of thinking. Famous instances of the amateur as pioneer include the discovery of FM radio and the personal computer. The computer spreadsheet was also an amateur creation – the product of two Harvard students who failed to turn a profit because filing for software patents wasn’t possible at the time. Perhaps one of the odder stories of pioneering amateurism is Day-Glo. Now found on cyclists and road workers planet-wide, Day-Glo was originally created by an American teenager recuperating from an accident.
We quite consciously refrained from producing some kind of ‘video essay’ which would offer comments on the relationship between cinema and architecture. Also, we did not group the models in any ‘meaningful’ way, not even according to similarities. What we refrained from was ordering knowledge such that the perceptible and the ‘sayable’ would be integrated meaningfully as to allow the video to ‘say something about’ models or have its audience ‘see something’ concerning models. And by subjecting ourselves to this compiling with as little epistemology as possible, we tried to avoid the traps of certain subjectivities, especially the subjectivity of the expert, the knowing artist, etc.
A Primer of Happenings & Time Space Art by Al Hansen