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By Jack C. Ellis, Betsy A. McLane

ISBN-10: 0826417515

ISBN-13: 9780826417510

An intensive and definitive survey/history of documentary movies. Concentrating often at the output of the united states, the united kingdom, and Canada, the authors define the origins of the shape after which exhibit its improvement over the following numerous many years. The booklet is totally updated in discussing movies like Fahrenheit 9-11 and Aileen: existence and dying of a Serial Killer.<br/><br/>Written in an easy, chronological structure, the textual content is easy and entire of content material, info, and historic point of view. each one bankruptcy concludes with an inventory of the main documentaries in that exact period of time or style, and there are worthy appendices directory all of the winners of the Academy Award for top Documentary, in addition to the winners of the Grierson Award.<br/> >

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Example text

This venture – to be the first men to cross the Antarctic on foot – was extensively documented; even after their ship was crushed in an ice pack some eighty-five miles away from the continent, photography continued, and when, miraculously, all twenty-eight men survived, the cameraman, Frank Hurley, had the makings of a film. This became South – Ernest Shackleton and the Endurance Expedition (1919). But no one was developing and printing film on location, nor were they interested in and interpreting people’s lives.

Very few women and virtually no non-whites had access to the money or the technology needed for documentary-making. They existed merely as subjects in front of the camera. Although the same can be said to apply in other arts, the lack of non-white and female presence was more pronounced in film than in painting, literature, sculpture, or even still photography of the era, because films required large investments of money, and because filming required that its makers leave the confines of home. During the silent era, a handful of women rose to prominence behind the camera in fiction filmmaking, and some blacks made movies, chiefly in the USA.

While he moved the camera on the tripod with his left hand, the right hand had to maintain a steady two revolutions per second. Information from Kevin Brownlow in the book Ghosts of the Somme. British Film Institute 16 A New History of Documentary Film work and the myth of her husband Robert. The work of other notable women in silent documentary – Yelizaveta Svilova, Helen Van Dongen, Marguerite Harrison and Esther Shub – is described in this book to the extent that information is generally available.

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A New History of Documentary Film by Jack C. Ellis, Betsy A. McLane

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