ANTHONY F. JANSON' 'H.W. JANSON's A Basic History of Art PDF

By ANTHONY F. JANSON' 'H.W. JANSON

The main thorough, cogent, and lavishly illustrated survey of paintings within the Western culture, Janson's heritage of artwork has now been thoroughly redesigned and up to date to make it the last word visually and intellectually interesting source for this present day. Timelines; thesaurus; bibliography; index. 1,266 illustrations, greater than 775 in complete colour.

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U,. Hagia ThJ^ ^^P»Uik«l>° « Phaislos Leptis Kalo Zakro Magna MEDITERRANEAN SEA THE FAIYUI LIBYA LOWE: EGYF . THE ANCIENT WORLD SITES IPPER :gypt AND CITIES MAGIC AND RITUAL: PREHISTORIC AND ETHNOGRAPHIC ART THE OLD STONE AGE When did human Cave Art beings start creating works of art? What prompted them to do so? What did these earliest works of art look like? Every history of art must begin with these ques- tions—and with the admission that we cannot answer them. Our earliest ancestors began to walk the earth on two feet about four million years ago, but how they were using their hands remains unknown to us.

First of all. how valid is the distinction between prehistoric and historic? Does it mereh express a difference in our knowledge of the past? (Thanks to the event to be memorable, centuries. Collectivelv. it memorable events have caused the ever-quickening pace of change during the past five millenniums, which begin with what we call the ancient world. u,. Hagia ThJ^ ^^P»Uik«l>° « Phaislos Leptis Kalo Zakro Magna MEDITERRANEAN SEA THE FAIYUI LIBYA LOWE: EGYF . THE ANCIENT WORLD SITES IPPER :gypt AND CITIES MAGIC AND RITUAL: PREHISTORIC AND ETHNOGRAPHIC ART THE OLD STONE AGE When did human Cave Art beings start creating works of art?

C, and colonnade and court of Amenhotep Temple of Amun-Mut-Khonsu, Luxor II, c. his temples, and his successors III, c. c. 50 • ART FOR THE DEAD: EGYPT stored after Akhenaten's death, but the innovations he encouraged could be tic artisfelt in Egyptian art for some time to come. Even the face of Akhenaten's successor, Tutankhamen, as it appears on his gold coffin cover betrays an echo of the Akhenaten (fig. 39), style. Tut- ankhamen, who died at the age of eighteen, owes his fame entirely to the accident that his is the only pharaonic tomb discovered in our times with most of The its contents undisturbed.

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A Basic History of Art by ANTHONY F. JANSON' 'H.W. JANSON


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