Download e-book for iPad: 100 Techniques for Professional Wedding Photographers by Bill Hurter
By Bill Hurter
From capturing formal relatives images in a dimly lit church to shooting energetic candids at a bustling reception, this valuable reference offers a hundred information for dealing with the method from begin to finish—choosing the simplest apparatus, shooting the easiest moments on movie, and embellishing and offering them afterwards. a number of execs provide helpful recommendation for electronic marriage ceremony photography, giving technical guidance on lighting fixtures, publicity and metering, and colour administration, in addition to rules for scouting destinations, facing anxious brides, and photographing huge teams. considerable time is spent at the many features of posing and lighting—for either formal and casual situations—with an eye fixed towards bettering the potency of the shoot and the traditional good looks of the resulting images.
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Additional resources for 100 Techniques for Professional Wedding Photographers
The added data cannot be seen on monitors currently sold, but what can be seen is the increased resolution and size of the image file. 2MP sensor, produces a file in the neighborhood of 22 or 23MB. A good size file, to be sure—but when ProPhoto RGB is used to process the image in the RAW file processor, the file opens at 72MB, a very healthy increase in file size and potential resolution. Many photographers who shoot RAW, and also make large prints, process the images in this color space to take advantage of the added color data and larger file sizes.
My trusty Minolta flashmeter still occupies a readily accessible spot in my camera bag and gets pulled out for ambient light or manual electronic flash readings many times throughout the wedding day. I usually start my day metering the light falling through an appropriate window at the bride’s The window-light photograph of the bride was taken before the ceremony with a gold Light Disc reflector fill. This was a manual exposure metered with a handheld incident-light meter. Manual white balance setting was used on the Nikon D2X to achieve the warm flesh tones.
The shadows are actually from my trusty Quan- After the shoot, Weisberg added a few enhancements. “The sat- tum flash, mounted with a quick-release plate on a Bogen tripod uration was selectively bumped up with the saturation tool in at camera left. Instead of using a light meter, which I use now for Photoshop,” he says. ”The LucisArt filter was also used. Since this my large-group portraits, I used my more expensive light meter: filter wreaks havoc on the skin, a mask was created so that I my Canon 1-D set to manual.
100 Techniques for Professional Wedding Photographers by Bill Hurter